Arm a lane
Choose the input your interface offers and arm the track you are about to play; monitoring and level are set before anything is written.
Once the song is in five pieces, the part that is missing is yours. Arm a track, press record, and the take lands on its own lane — then another, and another, stacked as overdubs over the recording.
Download freeChoose the input your interface offers and arm the track you are about to play; monitoring and level are set before anything is written.
Pressing record lays a red capsule that grows with the playhead. Stopping closes the take — no dialog, no file name.
Record a second part over the first, then drag the take’s dot around the 360° pad to give it a place in the room.
This records audio, not MIDI, and it records what your interface sends — Jambox does not model amps, cabinets or microphones. Takes live on your machine, so they are as safe as your backups.
Yes — mute or solo any stem and record against whatever is left.
As many as the song needs; each one is its own lane with its own level, pan and reverb.
In the song’s own folder on your computer. Export the mix as a WAV whenever you want a single file.
Drag a take’s dot around the 360° pad to place it anywhere in the room, then open reverb to give it a space. The dry signal is never touched.
Remove the original guitar, record your own over the rest of the band, and export a new WAV with your take already in it.
Mute the vocal and follow the words as they light up, record your own lead over the band, then pan it left or right to leave room for a backing part.