Open the take’s row
The 360° pad belongs to the take, not to the song, so each recording has its own position.
Two guitar parts recorded dry sit on top of each other. Jambox gives each take a place in the room — a position around the listener and a reverb of its own — so the parts separate without either one getting louder.
Download freeThe 360° pad belongs to the take, not to the song, so each recording has its own position.
Moving the dot moves the sound around the listener; the dry signal stays exactly as it was recorded.
Open reverb and choose how much of the room the take sits in, from dry to a large hall.
This is a stereo image, not object audio: the pad places a take in the mix you are monitoring, and it is not a binaural render or an Atmos export. Reverb is part of the practice mix, and a stem exported on its own is the dry recording.
No — it changes where the take sits in the mix, and the recorded file is never rewritten.
The pad is for your own takes; the stems keep their own levels and pans.
The mixdown carries the room you hear; exporting a single take gives you the dry recording.
Remove the original guitar, record your own over the rest of the band, and export a new WAV with your take already in it.
Mute the vocal and follow the words as they light up, record your own lead over the band, then pan it left or right to leave room for a backing part.
Arm a track and press ●: the take records onto its own lane as a red capsule. The waveform grows with the playhead, and the take is ready to overdub the moment you stop.